by Mark Akenside printed for T. Cadell London 1794
beautifully bound in contemporary trwee calf with 159 pages and 4 engravings
The first book defines the powers of imaginaton and discusses the various kinds of pleasure to be derived from the perception of beauty; the second distinguishes works of imagination from philosophy; the third describes the pleasure to be found in the study of man, the sources of ridicule, the operations of the mind, in producing works of imagination, and the influence of imagination on morals. The ideas were largely borrowed from Joseph Addison's essays on the imagination in The Spectator and from Lord Shaftesbury. Edward Dowden complains that "his tone is too high-pitched; his ideas are too much in the air; they do not nourish themselves in the common heart, the common life of man." Samuel Johnson praised the blank verse of the poems, but found fault with the long and complicated periods.
Akenside was born at Newcastle upon Tyne, England, the son of a butcher. He was slightly lame all his life from a wound he received as a child from his father's cleaver. All his relations were Dissenters, and, after attending the Royal Free Grammar School of Newcastle, and a dissenting academy in the town, he was sent in 1739 to the University of Edinburgh to study theology with a view to becoming a minister, his expenses being paid from a special fund set aside by the dissenting community for the education of their pastors. He had already contributed The Virtuoso, in imitation of Spenser's style and stanza (1737) to the Gentleman's Magazine, and in 1738 A British Philippic, occasioned by the Insults of the Spaniards, and the present Preparations for War (also published separately).[1]